In his praise for Part I of Upbuilding Discourses in Various Spirits, the eminent Kierkegaard scholar Eduard Geismar said, "I am of the opinion that nothing of what he has written is to such a degree before the face of God. Anyone who really wants to understand Kierkegaard does well to begin with it." These discourses, composed after Kierkegaard had initially intended to end his public writing career, constitute the first work of his "second authorship." Characterized by Kierkegaard as ethical-ironic, (...) Part One, "Purity of Heart Is to Will One Thing," offers a penetrating discussion of double-mindedness and ethical integrity. Part Two, "What We Learn from the Lilies in the Field and from the Birds of the Air," humorously exposes an inverted qualitative difference between the learner and the teacher. In Part Three, "The Gospel of Sufferings, Christian Discourses," the philosopher explores how joy can come out of suffering. (shrink)

This book posits that a singular paradigm in social theory can be discovered by reconstructing the conceptual grammar of Gabriel Tarde’s micro-sociology and by understanding the ways in which Gilles Deleuze’s micro-politics and Michel Foucault’s micro-physics have engaged with it. This is articulated in the infinite social multiplicity-invention-imitation-opposition-open system. Guided by infinitist ontology and an epistemology of infinitesimal difference, this paradigm offers a micro-socio-logic capable of producing new ways of understanding social life and its vicissitudes. In the field of social (...) theory, this can be called the infinitesimal revolution. (shrink)

New translations of the central mediaeval texts on the problem of universals are presented here in an affordable edition suitable for use in courses in mediaeval philosophy, history of mediaeval philosophy, and universals. Includes a concise Introduction, glossary of important terms, notes, and bibliography.

It has become a standing reproach upon Plato's treatment of poetry in the Republic that he forgets or misrepresents in the tenth book what he said in the third.According to the earlier discussion, poetry is required to perform important services in the ideal state; its subject-matter will make the young familiar with true doctrines ; its style will reflect the qualities proper to the character of guardian, and therefore—by the principle of imitation—induce and confirm such qualities in the souls of (...) young and old. Poetry, like all other forms of art, must train the young to love and resemble the beauty of truth, so that when reason develops, they will recognize it as an old friend. (shrink)

This article reevaluates the origins of Kierkegaard’s concept of imitation. It challenges the general approach to the genealogy of the phenomenon in question, which privileges the influence of various religious traditions on the thinker and ignores his exposure to the non-Christian literature. I contend that a close reading of the Apology, the Sophist, the Republic, and the Phaedo alongside Kierkegaard’s texts from the so-called second authorship reveals in the dialogues of Plato the three crucial aspects of Kierkegaard’s concept of imitation, (...) namely the phenomenon of following after, the existential, and the non-imitative character of imitation. Lastly, I show that, apart from striving to be a follower/an imitator of Christ, Kierkegaard perceives himself as a follower/an imitator of Socrates. This means that the life of the imitator of Christ is the examined life in the Socratic sense. (shrink)

"Exemplary Originality": Kant on Genius and Imitation MARTIN GAMMON 1. INTRODUCTION ACCORDING TO ERNST CASSIRER, Kant 's discussion of genius in the Third Cri- tique stands "at the crossroads of all aesthetic discussions in the eighteenth century," in that he tries to accommodate the neo-Classical demand that art- works follow determinate rules to the Romantic insistence that aesthetic cre- ativity be free from such rules? In the Third Critique itself, Kant defends both of these criteria through the doctrine of "exemplary (...) originality." For Kant, the genius combines two qualities: on the one hand, "a talent for produc- ing that for which no rule can be given," so that "originality must be its primary property"; however, "since there may also be original nonsense, its products must at the same time be models, i.e., be exemplary; and consequently, though not themselves derived from imitation, they must serve that purpose for oth- ers, i.e., as a standard or rule for estimating."' On the basis of this exemplary originality, then, a genius puts "freedom from constraint of rules so into force in his art, that for art itself a new rule is won -- which is what shows a talent to be exemplary". Recently, some commentators have puzzled over the "air of paradox" sur- rounding Kant 's union of originality and exemplarity in works of genius. "If such works," Timothy Gould conjectures, "make advances on what is familiar and gain new ground, their very. (shrink)

Irony, humor and the comic play vital yet under-appreciated roles in Kierkegaard's thought. Focusing upon the Concluding Unscientific Postscript , this book investigates these roles, relating irony and humor as forms of the comic to central Kierkegaardian themes. How does the comic function as a form of "indirect communication"? What roles can irony and humor play in the infamous Kierkegaardian "leap"? Do certain forms of wisdom depend upon possessing a sense of humor? And is such a sense of humor thus (...) a genuine virtue? (shrink)

The problem of whether we should love ourselves - and if so how - has particular resonance within Christian thought and is an important yet underinvestigated theme in the writings of Søren Kierkegaard. In Works of Love, Kierkegaard argues that the friendships and romantic relationships which we typically treasure most are often merely disguised forms of 'selfish' self-love. Yet in this nuanced and subtle account, John Lippitt shows that Kierkegaard also provides valuable resources for responding to the challenge of how (...) we can love ourselves, as well as others. Lippitt relates what it means to love oneself properly to such topics as love of God and neighbour, friendship, romantic love, self-denial and self-sacrifice, trust, hope and forgiveness. The book engages in detail with Works of Love, related Kierkegaard texts and important recent studies, and also addresses a wealth of wider literature in ethics, moral psychology and philosophy of religion. (shrink)

This book argues that a basic problem in thinking about understanding, temporality, and selfhood is due to “imitative” modes of thought found in much traditional Western philosophy and theology. Given this, the book examines the complex role that “image” and “imitation” play in understanding and its world of meaning, the import of language and narrative for configuring human temporality, and the existence of self. The author’s contention is that when critically understood, mimesis, with its roots in performative enactment, holds resources (...) for reconsidering these basic dimensions of human life beyond imitative paradigms of thought. (shrink)

The ideas of Martin Heidegger, one of the most important philosophers of the twentieth century, have had a profound influence on work in literary theory and aesthetics, as well as on mainstream philosophy. This book offers a clear and concise guide to Heidegger's notoriously complex writings, while giving special attention to his major work Being and Time. Richard McDonough adds historical context by exploring Heidegger's intellectual roots in German idealism and ancient Greek philosophy, and introduces readers to the key themes (...) in Heidegger's work including Dasein, Existenz, time, conscience, death, and phenomenology. This book, which also considers Heidegger's controversial ethics and politics, would make an excellent text for both introductory and advanced undergraduate courses on existentialism, phenomenology, continental philosophy, and Heidegger himself. (shrink)

'Christian nationalism' refers to the set of ideas in which belief in the development and superiority of one's national group is combined with, or underwritten by, Christian theology and practice. This study examines Kierkegaard's critique of Christian nationalism in relation to political science theories of religious nationalism.

Friedrich Schleiermacher's groundbreaking work in theology and philosophy was forged in the cultural ferment of Berlin at the convergence of the Enlightenment and Romanticism. The three sections of this book include illuminating sketches of Schleiermacher's relationship to contemporaries, his work as public theologian as well as the formation and impact of his two most famous books, On Religion: Speeches to its Cultured Despisers and The Christian Faith. Richard Crouter examines Schleiermacher's stance regarding the status of doctrine, Church and political authority, (...) and the place of theology among the academic disciplines. Dedicated to the Protestant Church in the line of Calvin, Schleiermacher was equally a man of the university who brought the highest standards of rationality, linguistic sensitivity and a sense of history to bear upon religion. (shrink)