Kant's attempt to establish the principles behind the faculty of judgment remains one of the most important works on human reason.

This article critiques dominant feminist analyses of the “Hottentot Venus.” It argues that these analyses of the construction of Black women as “other,” which borrow heavily from poststructuralism, make race and gender transhistorical and metaphysical constructs. The article critiques what has become the theoretical orthodoxy on the “Hottentot Venus.” It takes issue with two presumptions in particular: first, that there was a core image of the Black woman in the nineteenth century, and second, that the fear of the anatomy of (...) the “other” is the source of negative representations of Black sexuality. The article proposes an alternative way of understanding the construction of Black women in colonial discourse. It argues that social relations, rather than psychological dispositions, determine how bodies are seen and perceived. (shrink)

Rosemarie Garland Thomson examines disabled figures in sentimental novels such as Harriet Beecher Stowe's Uncle Tom's Cabin and Rebecca Harding Davis's Life in the Iron Mills, African-American novels by Toni Morrison and Audre Lorde, and the popular cultural ritual of the freak show.