- Truth is Not the Primary Epistemic Goal.Jonathan L. Kvanvig - 2013 - In Matthias Steup & John Turri (eds.), Contemporary Debates in Epistemology. Chichester, West Sussex, UK: Blackwell. pp. 285-295.details
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The Cognitive Value of Blade Runner.McGregor Rafe - 2015 - Aesthetic Investigations 1 (2).details
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An Aesthetics of Insight.John Gibson - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty: New Essays in Aesthetics and the Philosophy of Art. München, Deutschland: Philosophia. pp. 277-306.details
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Literature and Knowledge.John Gibson - 2009 - In Richard Eldridge (ed.), The Oxford Handbook of Philosophy and Literature. Oxford University Press USA.details
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The Boatman of Kaizu: A Study in Movie Fantasy.Jerome Stolnitz - 1977 - Philosophy and Literature 1 (2):222-237.details
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True Enough.Catherine Z. Elgin - 2017 - Cambridge: MIT Press.details
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Memesis As Make-Believe.Kendall Walton - 1990 - Harvard University Press.details
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On the cognitive triviality of art.Jerome Stolnitz - 1992 - British Journal of Aesthetics 32 (3):191-200.details
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Cinematic.Aaron Smuts - 2013 - Nordic Journal of Aesthetics 23 (46):78-95.details
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Cavellian Meditations: How to do Things with Film and Philosophy.Robert Sinnerbrink - 2014 - Film-Philosophy 18 (1):50-69.details
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A Post-Humanist Moralist: michael haneke's cinematic critique.Robert Sinnerbrink - 2011 - Angelaki 16 (4):115-129.details
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Working Towards Art.R. Scruton - 2009 - British Journal of Aesthetics 49 (4):317-325.details
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In search of the aesthetic.Roger Scruton - 2007 - British Journal of Aesthetics 47 (3):232-250.details
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Virtue epistemology and the acquisition of knowledge.Duncan Pritchard - 2005 - Philosophical Explorations 8 (3):229 – 243.details
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Narrative Representation and Phenomenological Knowledge.Rafe McGregor - 2016 - Australasian Journal of Philosophy 94 (2):327-342.details
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Nobody Needs a Theory of Art.Dominic McIver Lopes - 2008 - Journal of Philosophy 105 (3):109-127.details
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The irreducible historicality of the concept of art.Jerrold Levinson - 2002 - British Journal of Aesthetics 42 (4):367-379.details
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Replies to Attridge, Blackburn, Feagin, and Harcourt.Peter Lamarque - 2010 - British Journal of Aesthetics 50 (1):99-106.details
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Précis of the philosophy of literature.Peter Lamarque - 2010 - British Journal of Aesthetics 50 (1):77-80.details
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Arguing About Art. [REVIEW]Peter Lamarque - 1999 - European Journal of Philosophy 7 (1):89-100.details
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Differences.Peter Kivy - 1993 - Journal of Aesthetics and Art Criticism 51 (2):123-132.details
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Materials for an analysis of a just universe.A. L. Herman - 1995 - Asian Philosophy 5 (1):3 – 22.details
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Two Conceptions of Language.P. M. S. Hacker - 2014 - Erkenntnis 79 (S7):1271-1288.details
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Is understanding a species of knowledge?Stephen R. Grimm - 2006 - British Journal for the Philosophy of Science 57 (3):515-535.details
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Learning from art.Gordon Graham - 1995 - British Journal of Aesthetics 35 (1):26-37.details
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Between truth and triviality.John Gibson - 2003 - British Journal of Aesthetics 43 (3):224-237.details
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Cognitivism and the arts.John Gibson - 2008 - Philosophy Compass 3 (4):573-589.details
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The cluster account of art defended.Berys Gaut - 2005 - British Journal of Aesthetics 45 (3):273-288.details
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Replies to Ponech, Curran, and Allen.B. Gaut - 2012 - British Journal of Aesthetics 52 (2):201-208.details
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Empathy and Identification in Cinema.Berys Gaut - 2010 - Midwest Studies in Philosophy 34 (1):136-157.details
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Cinematic art.Berys Gaut - 2002 - Journal of Aesthetics and Art Criticism 60 (4):299–312.details
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A Philosophy of Cinematic Art--The Big Picture.B. Gaut - 2012 - British Journal of Aesthetics 52 (2):183-186.details
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The Cognitive Value of Literary Perspectives.Maureen Donnelly - 2019 - Journal of Aesthetics and Art Criticism 77 (1):11-22.details
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What is Philosophy?Gilles Deleuze & Félix Guattari - 1991 - Columbia University Press.details
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The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.details
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Literature and Knowledge.Catherine Wilson - 1983 - Philosophy 58 (226):489 - 496.details
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Medium Specificity.Noël Carroll - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 29-47.details
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Moderate Moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.details
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Defending the Content Approach to Aesthetic Experience.Noël Carroll - 2015 - Metaphilosophy 46 (2):171-188.details
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The aesthetic point of view.Monroe C. Beardsley - 1970 - Metaphilosophy 1 (1):39–58.details
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Art: What it Is and Why it Matters.Catharine Abell - 2011 - Philosophy and Phenomenological Research 85 (3):671-691.details
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Last writings on the philosophy of psychology.Ludwig Wittgenstein - 1982 - Chicago: University of Chicago Press. Edited by G. H. von Wright, Heikki Nyman & Ludwig Wittgenstein.details
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Epistemology.John Turri - forthcoming - In Byron Kaldis (ed.), Encyclopedia of Philosophy and the Social Sciences.details
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Understanding in Human Science.Charles Taylor - 1980 - Review of Metaphysics 34 (1):25 - 38.details
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Knowing How.Jason Stanley & Timothy Willlamson - 2001 - Journal of Philosophy 98 (8):411-444.details
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Prospects for Film Theory: A Personal Assessment.Noel Carroll - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press.details
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Inaugurating Philosophy of Film Without Theory.Craig Fox & Britt Harrison - 2020 - Aesthetic Investigations 3 (2):175-184.details
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Cognitive Values in the Arts: Marking the Boundaries.Peter Lamarque - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 127--39.details
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Realism of Character and the Value of Fiction.Gregory Currie - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 161--81.details
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Art, narrative, and moral understanding.Noël Carroll - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 126--60.details
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