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  1. Virtue ethics: What kind of naturalism?Julia Annas - 2005 - In Stephen Mark Gardiner (ed.), Virtue ethics, old and new. Ithaca, N.Y.: Cornell University Press. pp. 11--29.
     
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  • Natural goodness and natural evil.Joseph Millum - 2006 - Ratio 19 (2):199–213.
    In Natural Goodness Philippa Foot gives an analysis of the concepts we use to describe the characteristics of living things. She suggests that we describe them in functional terms, and this allows us to judge organisms as good or defective depending on how well they perform their distinctive functions. Foot claims that we can judge intentional human actions in the same way: the virtues contribute in obvious ways to good human functioning, and this provides us with grounds for making moral (...)
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  • Getting On in a Varied World.Chrisoula Andreou - 2006 - Social Theory and Practice 32 (1):61-73.
    The core argument in favor of the view that immorality is a natural defect for human beings, which has been developed by Foot, assumes that if justice and compassion have important functions in human survival and reproduction, then injustice and cruelty are natural defects in human beings. But this ignores possibilities and results that cannot reasonably be ignored. Multiple and mixed naturally sound types can and do occur in nature. Moreover, research in the life sciences suggests that at least some (...)
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  • Free agency and self-worth.Paul Benson - 1994 - Journal of Philosophy 91 (12):650-58.
  • Morality and Art.Philippa Foot - 1970 - Proceedings of the British Academy 56 (131-144).
    Discusses the question of the objectivity or subjectivity of moral judgments, hoping to illuminate it by contrasting moral and aesthetic judgments. In her critical assessment of the nature of moral judgments, Foot concludes that some such judgments (as e.g. that Nazism was evil) are definitely objective. The concept of morality here supplies criteria independent of local standards, which function as fixed starting points in arguments across local boundaries, whereas, by contrast, aesthetic truths can ultimately depend on locally determined criteria. More (...)
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