In his reading of Kant’s moral philosophy and its grounding in freedom of the will, Allison is best know for giving an exclusively “practical” reading to doctrines about noumenal agency, so that they are taken to have none of the outlandish metaphysical implications often thought to be associated with the Kantian conception of freedom. The central feature of Allison’s interpretation is that Kant operates with a theory of agency in which, from the agent’s standpoint, reasons do not act as causes, (...) but operate only insofar as they are taken up by the agent into principles or “maxims.” According to this “Incorporation Thesis,” sensuous impulses or desires are not causes of an action. So there is no reason to regard the motive of duty as a “noumenal” cause competing with sensuous or “phenomenal” causes. Instead, Kant’s “two standpoints theory” is to be understood as distinguishing the action as viewed from the agent’s practical standpoint from causal conceptions governing the theoretical standpoint. (shrink)

I distinguish two senses in which organisms are mechanically inexplicable for Kant. Mechanical inexplicability in the first sense is shared with artefacts, and consists in their exhibiting regularities irreducible to the regularities of matter. Mechanical inexplicability in the second sense is peculiar to organisms, consisting in the reciprocal causal dependence of an organism's parts. This distinction corresponds to two strands of thought in Aristotle, one supporting a teleological conception of organisms, the other supporting a conception of organisms as natural. Recognizing (...) this distinction helps us to see how a teleological conception of organisms is compatible with recent advances in biology. (shrink)

"The importance and significance of Kant's aesthetics have been widely debated. This work presents an original interpretation of Kant's account which is based on rethinking the nature of Critical Philosophy. Gary Banham presents the argument that the Critique of Judgment needs to be read as a whole. Aesthetics is investigated in relation to all three critiques with the recovery of a larger sense of the 'aesthetic' resulting. This broader notion of aesthetics is connected to the recovery of the critique of (...) teleology in an original presentation of Kant's critical enterprise as constituted by the attempt to think the meaning of ends."--BOOK JACKET. (shrink)

Kant's Critique of Teleological Judgment is read as a reflection on philosophical methodological problems that arose through the constitution of an independent science of life - biology. This work presents an example of the interconnections between philosophy and the history of science.

The aim of philosophy, abstractly formulated, is to understand how things in the broadest possible sense of the term hang together in the broadest possible sense of the term. Under 'things in the broadest possible sense' I include such radically different items as not only 'cabbages and kings', but numbers and duties, possibilities and finger snaps, aesthetic experience and death. To achieve success in philosophy would be, to use a contemporary turn of phrase, to 'know one's way around' with respect (...) to all these things, not in that unreflective way in which the centipede of the story knew its way around before it faced the question, 'how do I walk?', but in that reflective way which means that no intellectual holds are barred. (shrink)

I DISCUSS KANT’S ARGUMENT FOR THE IRREDUCIBILITY OF BIOLOGY TO "MECHANISTIC" SCIENCE AS IT IS FOUND IN THE SECOND PART OF THE "CRITIQUE OF JUDGMENT", THE CRITIQUE OF TELEOLOGICAL JUDGMENT. THE PAPER CONSISTS OF TWO PARTS. IN THE FIRST I LAY OUT KANT’S POSITION, SHOWING THE RESPECT IN WHICH TELEOLOGY, FOR KANT, IS THE MARK OF THE LIVING. IN THE SECOND I TEST KANT’S VIEW AGAINST THE RECENT MECHANISTIC ANALYSIS OF TELEOLOGY PUT FORWARD BY ERNEST NAGEL IN "TELEOLOGY REVISITED" AND (...) SHOW THAT KANT’S POSITION MAY BE UNDERSTOOD AS A SERIOUS OBJECTION TO THE POSITION DEFENDED BY NAGEL. (shrink)