This essay is written on the following premises and argues for them. “Enlightenment” is a word or signifier, and not a single or unifiable phenomenon which it consistently signifies. There is no single or unifiable phenomenon describable as “the Enlightenment,” but it is the definite article rather than the noun which is to be avoided. In studying the intellectual history of the late seventeenth century and the eighteenth, we encounter a variety of statements made, and assumptions proposed, to which the (...) term “Enlightenment” may usefully be applied, but the meanings of the term shift as we apply it. The things are connected, but not continuous; they cannot be reduced to a single narrative; and we find ourselves using the word “Enlightenment” in a family of ways and talking about a family of phenomena, resembling and related to one another in a variety of ways that permit of various generalizations about them. We are not, however, committed to a single root meaning of the word “Enlightenment,” and we do not need to reduce the phenomena of which we treat to a single process or entity to be termed “the” Enlightenment. It is a reification that we wish to avoid, but the structure of our language is such that this is difficult, and we will find ourselves talking of “the French” or “the Scottish,” “the Newtonian” or the “the Arminian” Enlightenments, and hoping that by employing qualifying adjectives we may constantly remind ourselves that the keyword “Enlightenment” is ours to use and should not master us. (shrink)

In "My Own Life," Hume writes:1 During my retreat in France, first at Reims, but chiefly at La Fleche, in Anjou, I composed my Treatise of Human Nature. After passing three years very agreeably in that country, I came over to London in 1737. In the end of 1738, I published my Treatise, and immediately went down to my mother and my brother, who lived at his country house, and was employing himself very judiciously and successfully in the improvement of (...) his fortune. It is thus "chiefly" at La Flèche that Hume wrote one of the masterpieces of early modern philosophy. Hume's stay in France extended from July 1734 to August 1737. He spent a few weeks in Paris in the summer of 1734, hosted by Chevalier... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reconsiderations on History and Antiquarianism: Arnaldo Momigliano and the Historiography of Eighteenth-Century BritainMark Salber PhillipsQuando mia figlia era molto piccola si divertiva a entrare nel mio studio e a chiedermi con finta gravità: “Signore papà che cosa hai concluso?” La sua domanda mi è tornata in mente molte volte più tardi, e mi ritorna nella mente anche oggi. Concludere non è facile, in qualsiasi lingua. E io per natura (...) preferisco proporre problemi.—A. Momigliano, “Epilogo senza conclusione”The question is: can we save for ourselves and for our successors this immemorial tradition, this long-standing delight, of talking to past historians as if they were our senior colleagues?—A. Momigliano, “Polybius Between the English and the Turks”More than any other historian of this century, Arnaldo Momigliano shaped our understanding of the evolution of Western historiography from the ancient to the modern world. Fundamental to this continuity, as Momigliano saw it, was the revival in the Renaissance of the classical division of history into two distinct genres. The first (often called, without further qualification, “history”) is the narrative of public events organized in linear [End Page 297] and causal fashion; the second, antiquities, is a more diverse body of writing that neglects political narrative for philosophical, literary, topographical, and other concerns. After the Reformation antiquarianism took on new tasks in response to the religious controversies of the age, but it remained distinct from the narrative tradition. Only in the eighteenth century did a convergence begin that has finally been completed in the historical methods of our own time. 1This identification of the eighteenth century as the time when historical narrative and antiquarian research converged gives Momigliano’s views their particular interest to students of this period. His terms, however, are always far wider than any single century. In fact his argument constitutes a genealogy of modern historical method, since the merging of the two traditions—first witnessed in the erudite historiography of Edward Gibbon—was a precondition of modern practice. On these foundations, a modern historical discipline has grown up in which systematic research has become indivisible from the task of representing the past in narrative, with the consequence that the ancient separation of history and antiquities has at last been transcended.This essay is intended as a sketch of an alternative approach to the study of historical thought and writing in eighteenth-century Britain. In my view an essential point of departure is the interest of eighteenth-century writers in the structures and experiences of private life, their desire to explore the inward lives of individuals and the everyday life of societies. This revaluation of private life challenged the classical conception of history in fundamental ways, resulting in a fruitful tension between the social and sentimental interests of the age and its inherited view of history. At stake, in the very [End Page 298] broadest terms, was the need to find forms of historical narrative that met the needs of a commercial society and recognized the values and activities of a non-aristocratic audience.In the eighteenth century antiquarian erudition was far from the only genre bordering on the territory of political narrative. Conjectural history, religious history, history of manners, history of sciences and of literature, biography, memoir, and novel all defined themselves in relation to a traditional conception of history and claimed the attention of readers for their own rival narrative spaces. More particularly, these related genres ranged themselves against history’s strict identification with public life, with all the assumptions about audience, gender, and intellectual authority that accompanied the public domain. Without ever displacing the national narrative in the hierarchy of literatures, these other genres offered a variety of alternative histories whose common ground was their resistance to the assumed priority of politics. 2For a generation Momigliano’s dialectic of history and antiquarianism has served as an organizing principle for a good deal of teaching and writing on early modern historiography. 3 It is time, I believe, for a revaluation of this conceptual scheme. The wider consideration of genres I am urging would greatly enlarge the framework of discussion and give us a sharper sense of the interests of eighteenth-century historians and their... (shrink)

SummaryThis article introduces some previously unknown Egyptological discussions written in Britain between 1680 and 1740. They are significant in their own right: the last of them, a manuscript ‘Essay towards illustrating the History, Chronology, and Mythology of the Ancient Egyptians’ by the Aberdonian antiquary Alexander Gordon, has a claim to being the most important European Egyptological tract of the period, even if its contents are currently entirely unknown to scholarship. But it will also be argued that the treatises permit some (...) broader reconsideration of historiographical culture in the period. First, they suggest that antiquarian rhetoric was not necessarily matched with antiquarian practice, and that, contrary to the famous claims of Arnaldo Momigliano and some of his more recent followers, eighteenth-century ‘antiquarianism’ was not always so different from seventeenth-century historical criticism. Second, they allow us to make some revisionist judgements about the origins of conjectural history: conjectural-developmental accounts often stemmed less from philosophical assumptions and more from developments in seventeenth-century source criticism, as Hellenistic accounts of ancient history came more and more to be questioned. This finding permits some important revisionist judgements about William Warburton's famous analysis of the hieroglyphs, and about eighteenth-century historiography more generally. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 64.2 (2003) 149-157 [Access article in PDF] Introduction:The Uses of Historical Evidence in Early Modern Europe Jacob Soll A leading figure at Cambridge University after World War II, Herbert Butterfield seems an unlikely forerunner of the kind of cultural history that is practiced today. Yet Butterfield was a pioneer. He saw the origins of modern historical consciousness in the scholarly practices of the (...) Renaissance. These practices, he maintained, were a significant part of the slow shift to rationalist thinking that occurred between the fifteenth and eighteenth centuries. In his remarkable work, The Statecraft of Machiavelli (1940), Butterfield sought to show that Machiavelli's inductive use of historical examples was part of a larger empirical movement that slowly replaced religious and classical authority with the new authority of observation and deduction. Like Ernst Cassirer, he saw Machiavelli as an historical counterpart to Bacon, Descartes, Vesalius, and even Copernicus: The significance of the "experimental method" itself was not fully realized or clearly established until after the emergence in the seventeenth century of new scientific apparatus—the telescope, the microscope, and more accurate measuring-instruments for example; and even Bacon and Descartes, whose names have closely been associated with the scientific revolution, can hardly be said to have realized the implications of the new method. There is a transition then, but it is slower than many people have imagined and someone has rightly said that the middle ages do not come to an end until the seventeenth century. Machiavelli, as we shall see, has a place in the transition, for in the political and human sciences as well as the natural sciences a change did occur. Machiavelli is interesting not because he is a modern man [End Page 149] born out of due time, but because he illustrates one of the mediations by which the transition was accomplished. 1Butterfield turned to Emile Durkheim's sociological study of Renaissance education to understand the relationship between traditions of learning and the cosmological shift of the seventeenth century. 2 Durkheim had used Rabelais's portrait of Pantagruel's education to illustrate how the study of ancient language and the rise of historical erudition were not only instruments of aesthetic culture, but also constituted "a mine of positivist knowledge." Citing Erasmus, Durkheim himself maintained that linguistic philology was a preparation for higher disciplines—graviores disciplinæ. 3 The English historian agreed with the French sociologist: traditions of humanist learning were essential elements of a larger ethos of natural and practical studies that differentiated post-humanist Europe from the Middle Ages.Although his later work concentrated on questions of historiography, Butterfield never studied the full effect of historical practices on the learned culture of early modern Europe. 4 These papers seek to pick up where Butterfield left off, to understand the effect that humanist historical consciousness had on educated Europe at large. They will show that questions of historical accuracy and verification were the common link among diverse disciplines between 1400 and 1800. Rather than looking for theories of history and historical method solely in the works of historians, they will examine how non-historians discussed history in terms of their own fields of study. They will show how thinkers in the domains of architecture, art, astrology, education, law, medicine, natural philosophy, politics, and theology saw the importance of historical understanding and how they used it to shape their own particular forms of knowledge. By sketching an overview of the different applications of historical knowledge, we will begin to have a clearer view of the process by which humanism historicized the world of knowledge.Learned culture at the beginning of the seventeenth century is commonly associated with the rise of scientific authority. Church dogma and the Aristotelian logical tradition no longer sufficed to explain natural phenomena and to [End Page 150] quell the curiosity of the learned. 5 As Galileo so recklessly exclaimed, look into the telescope and witness with your own eyes that Aristotle was wrong about the moon. 6 For Galileo's colleague, the great Paduan Aristotelian... (shrink)

Scaliger brought critical standards and methodological innovations to the already extensive sixteenth-century interest in chronology. He invented the Julian Period, a device for the reckoning of dates, exposed historical forgeries, and showed the independent value of non-Biblical sources even acknowledging Egyptian dynastic chronology antedating the Biblical Creation, although he could not satisfactorily resolve this conflict. After Scaliger, the quality of chronological studies declined as questions were argued less on historical grounds than on theological ones, but the confusion this created eventually (...) contributed to breaking the hold of the Bible on chronology, along the lines anticipated by Scaliger. (shrink)

Hume’s History of England has received a good deal of attention over the years, but no one has ever systematically studied his sources.1 Instead, scholars have worried about Hume’s biases, his portraits of figures like Charles I, and his alleged scorn for mere antiquarianism, which resulted in a readable but superficial history. The most exciting monograph dealing with his History of England in recent years sees it as a step in the process which led to nineteenth-century historicism. Others have seen (...) him in the context of narrativity but have paid little attention to the sources of the facts worked into that... (shrink)

ABSTRACTThere is good reason to regard John Locke’s treatment of testimony as perhaps the most important of the early modern period. It is sophisticated, well developed, pioneering, and seems to ha...

This article provides a re-evaluation of David Hume's intensive reading of the classics at an important moment of his literary and intellectual career. It sets out to reconstruct the extent and depth of this reading as well as the uses – scholarly, philosophical and polemical – to which Hume put the information he had gathered in the course of it. The article contends that Hume read the classics against the grain to collect data on a wide range of cultural information (...) which he could utilise for a number of literary and philosophical projects he was engaged in during the early 1750s. This reading soon came to pervade almost all aspects of Hume's literary activities of that period and resulted in what is here described as a fragmentary history of classical antiquity. As a result Hume's reading of the classics emerges from this article as both more extensive and more significant than has so far been acknowledged. (shrink)