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  1. Themes in the Philosophy of Music.Saam Trivedi - 2003 - Journal of Aesthetic Education 37 (3):108.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 108-112 [Access article in PDF] Themes in the Philosophy of Music, by Stephen Davies. New York: Oxford University Press, 2003, 283 pp., hardcover. Over the last few decades, there has been a remarkable output of several books and articles on the philosophy of music. Stephen Davies is one of the leading contributors to this growing literature in the Philosophy of Music. This (...)
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  • Music and feeling.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (1):23-35.
  • New essays on musical understanding.Peter Kivy - 2001 - Oxford: Clarendon Press.
    Peter Kivy presents a selection of his new and recent writings on the philosophy of music--an area to which he has been one of the most eminent contributors. In his distinctively elegant and informal style, Kivy explores such topics as musicology and its history, the nature of musical works, and the role of emotion in music, and does so in a way that will attract the interest of philosophical and musical readers alike. Most works are published here for the first (...)
  • Themes in the philosophy of music.Stephen Davies - 2003 - New York: Oxford University Press.
    Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, (...)
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  • The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Mark Johnson - 2001 - Journal of Speculative Philosophy 15 (4):323-326.
  • The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Antonio Damasio - 1999 - Harcourt Brace and Co.
    The publication of this book is an event in the making. All over the world scientists, psychologists, and philosophers are waiting to read Antonio Damasio's new theory of the nature of consciousness and the construction of the self. A renowned and revered scientist and clinician, Damasio has spent decades following amnesiacs down hospital corridors, waiting for comatose patients to awaken, and devising ingenious research using PET scans to piece together the great puzzle of consciousness. In his bestselling Descartes' Error, Damasio (...)
  • Music Matters: A New Philosophy of Music Education.David James Elliott - 1995 - New York ; Toronto : Oxford University Press.
    The author constructs a new concept of music education, one designed to stimulate, guide, and support the efforts of pre-service and practicing music teachers as they tackle the many theoretical and practical issues involved in music education. He provides rigorous reflections on the "why, what, and how" of music teaching and learning that serve as catalysts for critical thinking and individual-philosophy building.
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  • Musicking: The Meanings of Performing and Listening.Christopher Small - 1998 - Wesleyan University Press.
    Acclaimed scholar rethinks the nature and meaning of music.
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  • Consciousness: A User’s Guide.Adam Z. J. Zeman - 2002 - Yale University Press.
  • New Essays on Musical Understanding.Peter Kivy - 2002 - Philosophy 77 (300):291-293.
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  • Themes in the Philosophy of Music.Stephen Davies - 2004 - Journal of Aesthetics and Art Criticism 62 (4):397-399.
     
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  • Abnormal contents of consciousness: The transition from automatic to controlled processing.Jeffrey A. Gray - 1998 - In H. Jasper, L. Descarries, V. Castellucci & S. Rossignol (eds.), Consciousness: At the Frontiers of Neuroscience. Lippincott-Raven.