The use of target baselines or reference states for conservation and restoration has become increasingly problematic and impractical, due to rapid environmental change, the paradigm shift in ecology from a static to a dynamic view of nature, and growing awareness of the role of cultural traditions in the reconstruction of baselines. The various responses to this crisis of baselines will to a significant extent determine the future direction of nature conservation. Although some hold onto traditional baselines and others try to (...) refine or redefine the reference concept, the debate is currently dominated by two widely diverging reactions to the crisis: while the so-called 'new environmentalists' or 'new conservationists' declare the whole baseline notion obsolete, replacing a backward-looking approach with a forward-looking one, the 're-wilders' push the baseline back to a deeper, more distant past. This article provides a critical assessment of the debate on these conversation options, with a special focus on the differences between Old World and New World perspectives. (shrink)

How can environmental philosophy benefit from Friedrich Nietzsche's radical critique of morality? In this paper, it is argued that Nietzsche's account of nature provides us with a challenging diagnosis of the modern crisis in our relationship with nature. Moreover, his interpretation of wildness can elucidate our concern with the value of wilderness as a place of value beyond the sphere of human intervention. For Nietzsche, wild nature is a realm where moral valuations are out of order. In his work, however, (...) we can discern a paradoxical moral concern with this wildness. Wildness is a critical moral concept that reminds us of the fact that our moral world of human meanings and goals ultimately rests on a much grander, all-encompassing natural world. Nietzsche's concept of wildness acknowledges the value of that which cannot be morally appropriated. Wild nature confronts us with the limits of human valuing. Wildness as a concept thus introduces the 'beyond' of culture into the cultural arena of values. (shrink)

The creation of new wetlands along rivers as an instrument to mitigate flood risks in times of climate change seduces us to approach the landscape from a 'managerial' perspective and threatens a more place-oriented approach. How to provide ecological restoration with a broad cultural context that can help prevent these new landscapes from becoming nonplaces, devoid of meaning and with no real connection to our habitable world. In this paper, I discuss three possible alternative interpretations of the meaning of places (...) and place attachment in these ‘new nature’ projects, and show how all three imply a different view on human identity and history. (shrink)

The concept of wildness not only plays a role in philosophical debates, but also in popular culture. Wild nature is often seen as a place outside the cultural sphere where one can still encounter instances of transcendence. Some writers and moviemakers contest the dominant romanticized view of wild nature by telling stories that somehow show a different harsher face of nature. In encounters with the wild and unruly, humans can sometimes experience the misfit between their well-ordered, human-centered, self-created world view (...) and the otherness of nature, and in doing so face, what Plumwood calls, “the view from the outside.” Three films—Gerry, Into the Wild, and Grizzly Man—deal with contemporary encounters with wildness. What these works have in common is the central theme of modern humans who are fascinated by wild nature and seek experiences unknown to those limited to the overly cultivated life (psyche) of modern society. Another connecting theme, however, is that any idealization of wildness is in itself deeply problematic. All three films have fatal endings, which in turn fascinates the contemporary viewers. These films show, first, that wildness is conceived as a moral counterforce against the overly civilized world; and, second, that fascination with this wildness has itself become thoroughly reflexive, and. (shrink)

The concept of wildness not only plays a role in philosophical debates, but also in popular culture. Wild nature is often seen as a place outside the cultural sphere where one can still encounter instances of transcendence. Some writers and moviemakers contest the dominant romanticized view of wild nature by telling stories that somehow show a different harsher face of nature. In encounters with the wild and unruly, humans can sometimes experience the misfit between their well-ordered, human-centered, self-created world view (...) and the otherness of nature, and in doing so face, what Plumwood calls, “the view from the outside.” Three films—Gerry, Into the Wild, and Grizzly Man—deal with contemporary encounters with wildness. What these works have in common is the central theme of modern humans who are fascinated by wild nature and seek experiences unknown to those limited to the overly cultivated life (psyche) of modern society. Another connecting theme, however, is that any idealization of wildness is in itself deeply problematic. All three films have fatal endings, which in turn fascinates the contemporary viewers. These films show, first, that wildness is conceived as a moral counterforce against the overly civilized world; and, second, that fascination with this wildness has itself become thoroughly reflexive, and. (shrink)

A social scientific survey on visions of human/nature relationships in western Europe shows that the public clearly distinguishes not only between anthropocentrism and ecocentrism, but also between two nonanthropocentric types of thought, which may be called “partnership with nature” and “participation in nature.” In addition, the respondents distinguish a form of human/nature relationship that is allied to traditional stewardship but has a more ecocentric content, labeled here as “guardianship of nature.” Further analysis shows that the general public does not subscribe (...) to an ethic of “mastery over nature.” Instead, practically all respondents embrace the image of guardianship, while the more radical relationships of partnership and participation also received significant levels of adherence. The results imply that ethicists should no longer assume that the ethics of the public are merely anthropocentric. Finally, they call into question the idea of a single form of ecocentrism and favor a hermeneutic virtue ethics approach to the study of the interface between ethics and action. (shrink)

The Great New Wilderness Debate is an expansive, wide-ranging collection that addresses the pivotal environmental issues of the modern era. This eclectic volume on the varied constructions of “wilderness” reveals the recent controversies that surround those conceptions, and the gulf between those who argue for wilderness "preservation" and those who argue for "wise use." J. Baird Callicott and Michael P. Nelson have selected thirty-nine essays that provide historical context, range broadly across the issues, and set forth the positions of the (...) debate. Beginning with such well-known authors as Ralph Waldo Emerson, Henry David Thoreau, John Muir, and Aldo Leopold, the collection moves forward to the contemporary debate and presents seminal works by a number of the most distinguished scholars in environmental history and environmental philosophy. The Great New Wilderness Debate also includes essays by conservation biologists, cultural geographers, environmental activists, and contemporary writers on the environment. (shrink)

In this paper, I seek to provide building blocks for a reconciliation of the ethical care for heritage protection and nature restoration ethics. It will do so, by introducing a hermeneutic landscape philosophy that takes landscape as a multi-layered “text” in need of interpretation, and place identities as build upon certain readings of the landscape. I will argue that from a hermeneutic perspective, both approaches appear to complement each other. Renaturing presents a valuable correction to the anthropocentrism of many European (...) rural cultures. Yet, heritage protectionists rightly point to the value of narratives for Old World identities. I will conclude with a short reflection on how such a hermeneutic environmental ethic can be helpful in dealing with environmental conflicts. (shrink)

Over the past decade a shift can be noticed from ecological restoration to ecological design, where ecological design stands for a technocratic approach that courts hubris and mastery rather than humility and self-restraint. Following Eric Higgs, this shift can be seen as a “hyperactive and heedless response“ to global environmental change, especially climate change. The new technocratic approach may be best characterized as enlightened anthropocentrism, where nature is only allowed that degree of agency which is required to deliver the services (...) that are essential for human well-being. It is not only questionable if we have the scientific and technical abilities to purposeful design ecosystems that will serve our needs, but also if the new approach will be sufficient to protect biodiversity in the long run. (shrink)