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  1. Luminance controls the perceived 3-D structure of dynamic 2-D displays.Barry J. Schwartz & George Sperling - 1983 - Bulletin of the Psychonomic Society 21 (6):456-458.
  • Simultaneous brightness induction as a function of inducing- and test-field luminances.Eric G. Heinemann - 1955 - Journal of Experimental Psychology 50 (2):89.
  • Cortical dynamics of three-dimensional figure–ground perception of two-dimensional pictures.Stephen Grossberg - 1997 - Psychological Review 104 (3):618-658.
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  • Die Erscheinungsweisen der Farben und ihre Beeinflussung durch die individuelle Erfahrung.David Katz - 1911
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  • Color constancy: Phenomenal or projective?Adam J. Reeves, Kinjiro Amano & David H. Foster - 2008 - Perception and Psychophysics 70:219-228.
    Naive observers viewed a sequence of colored Mondrian patterns, simulated on a color monitor. Each pattern was presented twice in succession, first under one daylight illuminant with a correlated color temperature of either 16,000 or 4,000 K and then under the other, to test for color constancy. The observers compared the central square of the pattern across illuminants, either rating it for sameness of material appearance or sameness of hue and saturation or judging an objective property—that is, whether its change (...)
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  • Depth perception from pairs of overlapping cues in pictorial displays.Birgitta Dresp, Severine Durand & Stephen Grossberg - 2002 - Spatial Vision 15:255-276.
    The experiments reported herein probe the visual cortical mechanisms that control near–far percepts in response to two-dimensional stimuli. Figural contrast is found to be a principal factor for the emergence of percepts of near versus far in pictorial stimuli, especially when stimulus duration is brief. Pictorial factors such as interposition (Experiment 1) and partial occlusion Experiments 2 and 3) may cooperate, as generally predicted by cue combination models, or compete with contrast factors in the manner predicted by the FACADE model. (...)
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