- Eugene Delacroix's Theory of Art.George P. Mras - 1968 - Journal of Aesthetics and Art Criticism 26 (4):548-548.details
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The Clockwork Muse: The Predictability of Artistic Change.Colin Martindale - 1992 - Journal of Aesthetics and Art Criticism 50 (2):171-173.details
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Biological information.Peter Godfrey-Smith & Kim Sterelny - 2012 - In Peter Adamson (ed.), Stanford Encyclopedia of Philosophy. Stanford Encyclopedia of Philosophy.details
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Meaning.Herbert Paul Grice - 1957 - Philosophical Review 66 (3):377-388.details
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Creations of the Mind: Theories of Artifacts and Their Representaion.Eric Margolis & Stephen Laurence (eds.) - 2007 - New York: Oxford University Press.details
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The Varieties of Reference.Gareth Evans & John Mcdowell - 1986 - Philosophy 61 (238):534-538.details
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Inference to the Best Explanation.Peter Lipton - 1991 - New York: Routledge.details
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Fearing fictions.Kendall L. Walton - 1978 - Journal of Philosophy 75 (1):5-27.details
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Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.details
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Ascribing functions to technical artefacts: A challenge to etiological accounts of functions.Pieter E. Vermaas & Wybo Houkes - 2003 - British Journal for the Philosophy of Science 54 (2):261-289.details
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Visual routines.Shimon Ullman - 1984 - Cognition 18 (1-3):97-159.details
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Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts.John Tooby & Leda Cosmides - 2001 - Substance 30 (1/2):6.details
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Aesthetic properties of pictorial perception.Shigeko Takahashi - 1995 - Psychological Review 102 (4):671-683.details
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Aesthetic judgements, artworks and functional beauty.Stephen Davies - 2006 - Philosophical Quarterly 56 (223):224-241.details
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Pragmatics, Modularity and Mind‐reading.Dan Sperber & Deirdre Wilson - 2002 - Mind and Language 17 (1-2):3–23.details
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The Sense of Order: A Study in the Psychology of Decorative Art.Francis Sparshott - 1981 - Journal of Aesthetic Education 15 (1):126.details
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Aesthetic preference and syntactic prototypicality in music: 'Tis the gift to be simple.J. David Smith & Robert J. Melara - 1990 - Cognition 34 (3):279-298.details
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The Intentional Stance by Daniel Dennett. [REVIEW]Sydney Shoemaker - 1990 - Journal of Philosophy 87 (4):212-216.details
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What monet meant: Intention and attention in understanding art.Mark Rollins - 2004 - Journal of Aesthetics and Art Criticism 62 (2):175–188.details
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Danto and His Critics.Mark Rollins (ed.) - 1993 - Malden, MA: Wiley-Blackwell.details
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Danto and His Critics.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (4):482-483.details
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The art of distancing: How formal devices manage our emotional responses to literature.Jenefer Robinson - 2004 - Journal of Aesthetics and Art Criticism 62 (2):153–162.details
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Expressing the Way the World Is: Expression as Reference.Jenefer M. Robinson - 1979 - The Journal of Aesthetic Education 13 (1):29.details
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Tracing the identity of objects.Lance J. Rips, Sergey Blok & George Newman - 2006 - Psychological Review 113 (1):1-30.details
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Exploring "fringe" consciousness: The subjective experience of perceptual fluency and its objective bases.Rolf Reber, P. Wurtz & Thomas E. Zimmermann - 2004 - Consciousness and Cognition 13 (1):47-60.details
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Exploring “fringe” consciousness: The subjective experience of perceptual fluency and its objective bases.Rolf Reber, Pascal Wurtz & Thomas D. Zimmermann - 2004 - Consciousness and Cognition 13 (1):47-60.details
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Ontological relativity and other essays.Willard Van Orman Quine (ed.) - 1969 - New York: Columbia University Press.details
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Is vision continuous with cognition?: The case for cognitive impenetrability of visual perception.Zenon Pylyshyn - 1999 - Behavioral and Brain Sciences 22 (3):341-365.details
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Why is a Wing Like a Spoon? A Pluralist Theory of Function.Beth Preston - 1998 - Journal of Philosophy 95 (5):215.details
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Does the chimpanzee have a theory of mind?David Premack & Guy Woodruff - 1978 - Behavioral and Brain Sciences 1 (4):515-526.details
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Does the chimpanzee have a theory of mind?David Premack & G. Woodruff - 1978 - Behavioral and Brain Sciences 4 (4):515-629.details
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Review of Karl Popper: The Poverty of Historicism. [REVIEW]Leon J. Goldstein - 1957 - Ethics 68 (4):296-297.details
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Psychology and Visual Aesthetics.R. W. Pickford - 1973 - Journal of Aesthetics and Art Criticism 31 (4):552-553.details
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The nature of music from a biological perspective.Isabelle Peretz - 2006 - Cognition 100 (1):1-32.details
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How We Understand Art: A Cognitive Development Account of Aesthetic Experience.Michael J. Parsons - 1991 - British Journal of Educational Studies 39 (4):466-467.details
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Three Essays on Style.Erwin Panofsky & Irving Lavin - 1997 - Journal of Aesthetics and Art Criticism 55 (1):66-68.details
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Factor analysis of meaning.Charles E. Osgood & George J. Suci - 1955 - Journal of Experimental Psychology 50 (5):325.details
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Toward a theory of the empirical tracking of individuals: Cognitive flexibility and the functions of attention in integrated tracking.Nicolas J. Bullot - 2009 - Philosophical Psychology 22 (3):353-387.details
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The role of theories in conceptual coherence.Gregory L. Murphy & Douglas L. Medin - 1985 - Psychological Review 92 (3):289-316.details
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The Idea of History.Arthur E. Murphy - 1947 - Philosophical Review 56 (5):587.details
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Form and Style in the Arts: An Introduction to Aesthetic Morphology. [REVIEW]Arnold Berleant - 1973 - Philosophy and Phenomenological Research 33 (4):581-582.details
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Evolution in the Arts and Other Theories of Culture History.Van Meter Ames - 1963 - Journal of Aesthetics and Art Criticism 22 (1):75-77.details
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Aesthetics as science: Its development in America.Thomas Munro - 1951 - Journal of Aesthetics and Art Criticism 9 (3):161-207.details
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Varieties of Meaning: The 2002 Jean Nicod Lectures.Ruth Garrett Millikan - 2004 - MIT Press.details
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Emotions, fiction, and cognitive architecture.Aaron Meskin & Jonathan M. Weinberg - 2003 - British Journal of Aesthetics 43 (1):18-34.details
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On Art and the Mind.Patrick Maynard - 1977 - Philosophical Review 86 (1):125.details
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Developmental changes within the core of artifact concepts.Adee Matan & Susan Carey - 2001 - Cognition 78 (1):1-26.details
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The Forger's Art: Forgery and the Philosophy of Art.Kenneth Marantz - 1984 - Journal of Aesthetic Education 18 (3):125.details
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Creations of the Mind: Theories of Artifacts and their Representation.Eric Margolis & Stephen Laurence - 2009 - Analysis 69 (1):171-172.details
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An experimental study of Fechner's principles of aesthetics.Lillien J. Martin - 1906 - Psychological Review 13 (3):142-219.details
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