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  1. Kant on Negative Magnitudes.Melissa Zinkin - 2012 - Kant Studien 103 (4):397-414.
    : Kant’s 1763 essay, Attempt to Introduce the Concept of Negative Magnitudes into Philosophy, is one of the least discussed of all his pre-critical writings. When it is referred to, it is usually just to note a few passages that anticipate Kant’s later, Critical philosophy. I argue that instead of understanding these early anticipations of the Critical philosophy as separable from Kant’s discussion of negative magnitudes, we should take their origin in Kant’s investigation of negative magnitudes to be of central (...)
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  • Kant finds nothing ugly?Christian Wenzel - 1999 - British Journal of Aesthetics 39 (4):416-422.
  • Kant's problems with ugliness.Garrett Thomson - 1992 - Journal of Aesthetics and Art Criticism 50 (2):107-115.
  • Kant’s Critique of Leibniz’s Rejection of Real Opposition.Henry Michael Southgate - 2013 - Hopos: The Journal of the International Society for the History of Philosophy of Science 3 (1):91-134.
  • Why Kant finds nothing ugly.David Shier - 1998 - British Journal of Aesthetics 38 (4):412-418.
  • How Kant might explain ugliness.Sean McConnell - 2008 - British Journal of Aesthetics 48 (2):205-228.
    A number of recent studies have claimed to explain how Kant can or cannot accommodate pure judgements of ugliness in his aesthetic theory. In this paper I critically review the arguments on each side of the debate and then develop a new account of how Kant might explain the pure judgement of the ugly, namely, by appeal to the quickening of the faculties in their harmonious free play. Some implications and applications of such an explanation are then explored, including a (...)
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  • Sublimity, ugliness, and formlessness in Kant's aesthetic theory.Theodore A. Gracyk - 1986 - Journal of Aesthetics and Art Criticism 45 (1):49-56.
  • Kant on the Possibility of Ugliness.Alix Cohen - 2013 - British Journal of Aesthetics 53 (2):199-209.
    In the recent literature on the issue, a number of commentators have argued that Kant’s aesthetic theory commits him to the position that nothing is ugly. For instance, in ‘Why Kant finds nothing ugly’, Shier argues that ‘within Kant’s aesthetics, there cannot be any negative judgments of taste’ (Shier (1998): 413). And in ‘Kant’s problems with ugliness’, Thomson claims that ‘Kant’s aesthetic theory precludes […] ugliness’ (Thomson (1992): 107). In other words, as it is presented in some of the literature, (...)
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