Humour can be utilised to mark out the boundaries of social groups, to produce and restore dignity, but also to produce contempt, marginalise and exclude. Humour and ridicule can be used to influence hierarchies and positioning among children in the classroom and it can have strong effects in school groups saturated with bullying practices. Ridicule appears to be widespread, very much feared, and not easily amenable to adult interventions. With this article, I look into the many and frequently subtle ways (...) humour intertwines itself in relational practices among children, with a particular focus on children in groups plagued by bullying and social tension. I focus on the entanglement of humour in the complex manoeuvrings that characterise children's worlds, and the subtle mechanisms involved in the self-regulation of their communities in and outside schools. The analyses and analytical understanding that I develop are grounded in qualitative data such as interviews with children and extensive observation in schools and in after school care. (shrink)

Humor is a surprisingly understudied topic in philosophy. However, there has been a flurry of interest in the subject over the past few decades. This article outlines the major theories of humor. It argues for the need for more publications on humor by philosophers. More specifically, it suggests that humor may not be a well-understood phenomenon by questioning a widespread consensus in recent publications – namely, that humor can be detached from laughter. It is argued that this consensus relies on (...) a cognitivist account of emotion, one that is open to debate, and that it becomes unclear what sorts of phenomena a theory of humor is supposed to explain when one questions this assumption. (shrink)

Racist jokes are often funny. And part of this has to do with their racism. Many Polish jokes, for example, may easily be converted into moron jokes but are not at all funny when delivered as such. Consider two answers to ‘What has an I.Q. of 1007’: a nation of morons; or Poland. Similarly, jokes portraying Jews as cheap, Italians as cowards, and Greeks as dishonest may be told as jokes about how skinflints, cowards, or dishonest people get on in (...) the world. But they are less funny as such. As this suggests, racist humor is ‘put down’ humor. We laugh, in part, because we find put-downs funny, sometimes even if they are about us. In many contexts, this tendency is relatively harmless; indeed, within reason, it may be therapeutic to join others in a good laugh at oneself. Why, then, all the commotion about racist humor? (shrink)

Books reviewed in this article:Peter Kivy, The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical GeniusKirk Pillow, Sublime Understanding: Aesthetic Reflection in Kant and HegelWilliam Irwin, Intentionalist Interpretation: A Philosophical Explanation and DefenseAllen Carlson, Aesthetics and the Environment: The Appreciation of Nature, Art, and ArchitectureElizabeth Grosz, Architecture from the OutsideDavid Leatherbarrow, Uncommon Ground: Architecture, Technology, and TopographyCaroline Joan S. Picart, Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and LaughterCaroline Joan S. Picart, Resentment and the “Feminine” (...) in Nietzsche's Politico–Aesthetics. (shrink)

Questions about the relation between shame and embarrassment are often posed in discussion of emotion but have rarely been examined at length. In this study I assemble and examine distinctions that have been proposed in the literature with the aim of identifying the criteria that have been used to differentiate shame and embarrassment. Relevant empirical studies are also reviewed. Despite the attention paid to the question of the difference between shame and embarrassment consensus on differentiating criteria has not been reached (...) nor has there been consideration of what kind of question is being posed. Three positions that have been adopted are identified and critically evaluated. (shrink)

This article explores several views on the relation of humour, especially tendentious humour, to morality, including comic amoralism, comic ethicism, comic immoralism, and moderate comic moralism. The essay concludes by defending moderate comic moralism.

Some things are funny -- jokes, puns, sitcoms, Charlie Chaplin, The Far Side, Malvolio with his yellow garters crossed -- but why? Why does humor exist in the first place? Why do we spend so much of our time passing on amusing anecdotes, making wisecracks, watching _The Simpsons_? In _Inside Jokes_, Matthew Hurley, Daniel Dennett, and Reginald Adams offer an evolutionary and cognitive perspective. Humor, they propose, evolved out of a computational problem that arose when our long-ago ancestors were furnished (...) with open-ended thinking. Mother Nature -- aka natural selection -- cannot just order the brain to find and fix all our time-pressured misleaps and near-misses. She has to bribe the brain with pleasure. So we find them funny. This wired-in source of pleasure has been tickled relentlessly by humorists over the centuries, and we have become addicted to the endogenous mind candy that is humor. (shrink)

Why do we spend so much of our time passing on amusing anecdotes, making wisecracks,watching The Simpsons? In Inside Jokes, Matthew Hurley, DanielDennett, and Reginald Adams offer an evolutionary and cognitive perspective.

Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.

Comic Relief: A Comprehensive Philosophy of Humor develops an inclusive theory that integrates psychological, aesthetic, and ethical issues relating to humor Offers an enlightening and accessible foray into the serious business of humor Reveals how standard theories of humor fail to explain its true nature and actually support traditional prejudices against humor as being antisocial, irrational, and foolish Argues that humor’s benefits overlap significantly with those of philosophy Includes a foreword by Robert Mankoff, Cartoon Editor of The New Yorker.

I argue that genuine moral flaws never enhance amusement, but they sometimes detract.I argue against comic immoralism--the position that moral flaws can make attempts at humor more amusing.Two common errors have made immoralism look attractive.First, immoralists have confused outrageous content with genuine moral flaws.Second, immoralists have failed to see that it is not sufficient to show that a morally flawed joke is amusing; they need to show that a joke can be more amusing because of the fact that it is (...) morally flawed.I argue that the immoralist lacks a plausible account of how this could be the case.I reject immoralism and argue for comic moralism—the position that moral flaws can make attempts at humor less amusing. (shrink)

Nietzsche tells us at the end of Beyond Good and Evil that ‘I would go so far as to venture an order of rank among philosophers according to the rank of their laughter’. Nietzsche violently dislikes those philosophers who, as he puts it, have ‘sought to bring laughter into disrepute’. He particularly singles out Thomas Hobbes for this offence, adding that Hobbes's puritanical attitude is just what you would expect from an Englishman. Nietzsche's accusation is based, as it happens, on (...) a misquotation of what Hobbes says about laughter in philosophy. But Nietzsche was undoubtedly right to point out that Hobbes — in common with most thinkers of his age — took it for granted that laughter is a subject in which philosophers need to be seriously interested. My aim in what follows will be to investigate the grounds and origins of this belief, and then to seek to explain it. (shrink)