Cambridge University Press (2019)

Rachel Zuckert
Northwestern University
In this book, Rachel Zuckert provides the first overarching account of Johann Gottfried Herder's complex aesthetic theory. She guides the reader through Herder's texts, showing how they relate to eighteenth- and nineteenth-century European philosophy of art, and focusing on two main concepts: aesthetic naturalism, the view that art is natural to and naturally valuable for human beings as organic, embodied beings, and - unusually for Herder's time - aesthetic pluralism, the view that aesthetic value takes many diverse and culturally varying forms. Zuckert argues that Herder's theory plays a pivotal role in the history of philosophical aesthetics, marking the transition from the eighteenth-century focus on aesthetic value as grounded in human nature to the nineteenth-century focus on art as socially significant and historically variable. Her study illuminates Herder's significance as an innovative thinker in aesthetics, and will interest a range of readers in philosophy of art and European thought.
Keywords aesthetics  naturalism  art  art history  pluralism  expression  sculpture  sublime  primitivism
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Reprint years 2021
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ISBN(s) 9781108483070   9781108716352   1108716350   1108483070
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On the Wellbeing of Aesthetic Beings.Sherri Irvin - forthcoming - In Helena Fox, Kathleen Galvin, Michael Musalek, Martin Poltrum & Yuriko Saito (eds.), Oxford Handbook of Mental Health and Contemporary Western Aesthetics. Oxford University Press.
What History Feels Like.Gregg M. Horowitz - 2022 - Journal of Aesthetics and Art Criticism 80 (2):229-233.
Sculpture in Herder’s Naturalist Aesthetics.Whitney Davis - 2022 - Journal of Aesthetics and Art Criticism 80 (2):239-243.

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