A Semiotic Interpretation of Death in the Film Macario (1960)

Semiotics:31-42 (forthcoming)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,322

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Cinematic Signs and the Phenomenology of Time.Corry Shores - 2016 - Studia Phaenomenologica 16:343-372.
Dialogue with Kishtta.Farouk Y. Seif - 2013 - American Journal of Semiotics 29 (1-4):101-115.
Alvares de Azevedo and the romantic drama.Cilaine Alves - 1996 - Trans/Form/Ação 19:61-74.
Álvares de azevedo e o drama rom'ntico.Cilaine Alves - 1996 - Trans/Form/Ação 19:61-74.
Multimodal film analysis: how films mean.John A. Bateman - 2012 - New York: Routledge. Edited by Karl-Heinrich Schmidt.
Dialogue with Kishtta.Farouk Y. Seif - 2013 - American Journal of Semiotics 29 (1-4):101-115.
Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.
The illusion of realism in film.Andrew Kania - 2002 - British Journal of Aesthetics 42 (3):243-258.
Gaps in the Law Fulfilled with Meaning: A Semiotic Approach for Decoding Gaps in Law.Liina Reisberg - 2017 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 30 (4):697-709.

Analytics

Added to PP
2021-01-28

Downloads
15 (#919,495)

6 months
9 (#298,039)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references