Art as Alchemy: The Bildobjekt Interpretation of Pictorial Illusion

Journal of Aesthetics and Art Criticism 76 (2):225-234 (2018)
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Abstract

I argue that if we read E. H. Gombrich's Art and Illusion with the charity that it deserves, we will find a much subtler theory of depiction than the illusion theory that is usually attributed to Gombrich. Instead of suggesting that pictures are illusory because they cause us to have experiences as of seeing the depicted objects face to face, I argue that Art and Illusion is better read as making the point that naturalistic pictures are illusory because they cause us to see qualities and properties that the pictures themselves do not possess. Once we appreciate this point, we will be in a better position to appraise the value and limits of naturalistic art.

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References found in this work

The obscure object of hallucination.Mark Johnston - 2004 - Philosophical Studies 120 (1-3):113-83.
Sense and Sensibilia.R. J. Hirst - 1963 - Philosophical Quarterly 13 (51):162-170.
Illusion in Nature and Art.R. L. Gregory & E. H. Gombrich - 1975 - Journal of Aesthetics and Art Criticism 34 (2):213-215.

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