Oleg B. Zaslavskii. The little in a non-Euclidean world: On the artistic space in Tom Stoppard's film and play “Rosencrantz and Guildenstern are dead”. Abstract [Book Review]

Sign Systems Studies 33 (2):343-343 (2005)
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Specularità e conflittualità Shakespeariane in Rosencrantz and Guildenstern are dead di Tom Stopard.Maria Cristina Cavecchi - 1991 - ACME: Annali della Facoltà di lettere e filosofia dell'Università degli studi di Milano 44 (3):5-30.

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