Art Identity

Dialogue 38 (2):335- (1999)
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Abstract

RÉSUMÉ: J’étudie la conception selon laquelle l’identité d’une œuvre d’art est déterminée par ses propriétés esthétiques; et je la compare avec la conception selon laquelle l’identité de l’œuvre d’art est déterminée par les origines de sa composition. Je soutiens que les deux théories présentent des qualités et des défauts, et que les qualités de l’une sont les défauts de l’autre. Cela nous révèle le genre de théorie dont nous avons besoin.

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00122173

DOI

10.1017/s0012217300007241

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Nick Zangwill
University College London

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References found in this work

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
Aesthetic and nonaesthetic.Frank Sibley - 1965 - Philosophical Review 74 (2):135-159.
The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.
Personal identity.Sydney Shoemaker, Richard Swinburne, David Armstrong, Norman Malcolm & Richard Bernstein - 1985 - Revue Philosophique de la France Et de l'Etranger 175 (4):567-569.
Supervenience, essentialism and aesthetic properties.Gregory Currie - 1990 - Philosophical Studies 58 (3):243 - 257.

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