Abstract

This article attempts to epistemology and ontology of the phenomenological perspective to explore the "meaning of music" issues. By Husserl and Heidegger with that character should be in the truth of this comparison, the possibility to develop meaningful interpretation of music. In essence, the theory of knowledge should be in character with that of circular reasoning in the entangled state, and this mechanism is depicted in the there is a statement of truth, the authenticity of the structure, making music and meaning to those revealed by the present. The purpose of this paper is to explore into the issue of "the meaning of the music" in different views from the phenomenon of epistemology and ontology. In order to develop the possible interpretation of the music meaning by comparing the views of truth between the concept "Adaequatio" correspondence of Husserl and the concept "Dasien" of Heidegger. In essence, the "Adaequatio" correspondence of the epistemology is entangled with when should concern the argument in a circle that is stated, and Dasein's state of Being that describe an authenticity structure of assertion in truth, uncover the meaning of music pass the entity