Features of the St. Petersburg image in watercolor painting

Philosophy and Culture (Russian Journal) 8:77-87 (2022)
  Copy   BIBTEX

Abstract

The image of St. Petersburg is an integral part of Russian art, in particular, in watercolor painting. This article is devoted to the analysis of the work of Russian watercolor artists, identifying the specifics and characteristic features of the image of the city on the Neva in their work. The object of the study is watercolors by Russian artists, the subject is expressive means, techniques and methods through which the image of St. Petersburg is embodied. On the example of watercolor works by E.P. Gau, I.A. Vladimirova, A.S. Vedernikov, A.P. Ostroumova-Lebedeva, P.P. Grigoryants, G.P. Fitingof, A. Ermolaev, V.V. Proshkin, K. Kuzema, V. Kolbasov, O. Litvinenko, etc. the historical transformation of the artistic image of St. Petersburg, its conditionality by cultural and historical factors and the nature of the life of the inhabitants of the city is shown. The study concluded that the image of St. Petersburg is important for Russian artists, as well as a significant variety of its creative interpretations. Each watercolor work demonstrates the subjective attitude of artists to St. Petersburg, thanks to which real urban landscapes acquire spirituality and unique expressiveness. The complex historical fate of this cultural and artistic center of Russia, which was once a magnificent capital, experienced revolutionary events and went through military destruction, determined the versatility of creative approaches to the embodiment of the city, as a result of various turns of history, it lost, then regained its greatness, beauty and attractiveness. Petersburg in watercolors is invariably filled with vitality, lyrical feelings and the love of artists.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Emotional information transmission of color in image oil painting.Weifei Tian - 2022 - Journal of Intelligent Systems 31 (1):428-439.
On the Image of Painting.Andrew Benjamin - 2011 - Research in Phenomenology 41 (2):181-205.
The St. Petersburg gamble and risk.Paul Weirich - 1984 - Theory and Decision 17 (2):193-202.
Natural Watercolors.Richard Taylor - 2001 - David & Charles.
Relative Expectation Theory.Mark Colyvan - 2008 - Journal of Philosophy 105 (1):37-44.

Analytics

Added to PP
2022-09-12

Downloads
8 (#1,291,989)

6 months
2 (#1,240,909)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references