Abstract

A massively prolific man of letters in fin de siècle America, William Dean Howells experienced spiritual conflict and doubt throughout his long life. Opening with the bleakness of A Modern Instance, this essay examines some of the important points in Howells’s religious evolution. Influenced by Tolstoy and certain Protestant progressives, Howells felt that religion “should be motivated by the spirit of love, not adherence to some creed.” This emphasis on “the interrelatedness of our lives” appears in The Minister’s Charge and A Hazard of New Fortunes, but Howells’s spiritual crisis grew acute with the death of his daughter Winifred. The poetry collection Stops of Various Quills reflects this grief, but his spirituality remained complex, as evidenced in “a Circle of Water” and The Leatherwood God.