Sophia 51 (2):243-255 (2012)

Music is an important philosophical theme in Confucian writings, one that is intimately related to ritual. But the relationship between music and ritual requires clarification. This paper seeks to argue for a general sense of music that reflects a particular aspect of ritual that has to do with performance. There is much material available in classical texts, such as the 'Record of Music' ('Yueji'), that allows for nuanced explications of the musical qualities of such performances. Thus explicated, those musical terms provide for a way of speaking about the overall effects of ritual that is not bound to specific choreographic details or particular ritual rules. Finally, it is suggested that the Confucian notion of ren 仁 could be usefully compared to the generalised notion of music
Keywords Music  Ritual practice  Confucianism  Performance
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DOI 10.1007/s11841-012-0324-2
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References found in this work BETA

Chinese and Western Interpretations of Jen (Humanity).Wing-Tsit Chan - 1975 - Journal of Chinese Philosophy 2 (2):107-129.

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