Abstract

This paper aims to situate Agamben’s treatment of the issue of community. It shows how Agamben departs from and supplements the French discourse on community through a critique of negativity; how the significance of community is measured against the society of the spectacle; and how the alienation from our linguistic being, which the spectacle effects, conditions a politics opposed to the State apparatus. Agamben’s coming community appropriates the dispossession and impropriety of contemporary human being in order to reconfigure the relation of belonging and singularity.