Abstract

The article analyzes imitation as both a fascinating and irritating phenomenon in "classical" evolutionary theory. Evolutionists situate imitation on the threshold between the natural and the socio-cultural, hence between the animal and the human. This intermediate position can be regarded as a symptom for the unresolved and maybe unresolvable problem of intentionality and teleology in nature. To elaborate this problem, I examine the ways in which imitation was conceived of by the German Africologist Wilhelm Bleek in his treatise On the Origin of Language and by Charles Darwin in The Descent of Man. Bleek and Darwin share a high esteem of imitation, which they see as the mainspring of human mental capacities, including language. But at the same time, imitation for them is the epitome of a low level of consciousness, embodied in the figures of the idiot, the savage, and the ape. Thus, the problem of similarity comes to the fore: similarity produced by imitation, but also being at the basis of every act of imitation. This problem is further evidenced with a side glance on Darwin's remarks about mimicry in The Origin of Species. The article closes with a literary reading of Franz Kafka's Report to an Academy, in which imitation and similarity represent survival strategies and motivate a strange shift from ape to man