Knights 230–3 And Cleon's Eyebrows

Classical Quarterly 29 (01):214- (1979)
  Copy   BIBTEX

Abstract

With these words the ‘first slave’’ of the Knights , encourages the Sausage-seller to take up the cudgels against the Paphlagonian, confident that the actor playing this role will not be masked. The exception proves the rule and it is generally concluded from these lines that portrait masks were customary in Aristophanic comedy

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2010-12-09

Downloads
12 (#1,025,624)

6 months
1 (#1,459,555)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Satyr and image in Aeschylus' Theoroi.Patrick O'Sullivan - 2000 - Classical Quarterly 50 (02):353-.
Satyr and image in Aeschylus' Theoroi.Patrick O'Sullivan - 2000 - Classical Quarterly 50 (2):353-366.

Add more citations

References found in this work

No references found.

Add more references