Sedimentation in Chinese Aesthetics and Epistemology: A Buddhist Expansion of Confucian Philosophy

Journal of Chinese Philosophy 40 (3-4):473-492 (2013)
  Copy   BIBTEX

Abstract

Li Zehou's theory of sedimentation seeks to explain the uniqueness of the human species through its use of tools, both physical and cognitive, leading to cultures grounded in aesthetic taste and the prospect of suprabiological beings. However, the very sedimentation that constructs human culture can stagnate into obstructing sediment. Buddhist philosophy offers an epistemology of desedimentation that avoids attachment to cultural sediment without summarily rejecting its potential usefulness. More specifically, Buddhist “wisdom embracing all species” allows us to recognize our interconnection (pratītya-samutpāda) with nature by transcending anthropocentrism, and opening more effective strategies for dealing with ecological challenges

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 96,689

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The transformative power of art: Li Zehou's aesthetic theory.Jane Cauvel - 1999 - Philosophy East and West 49 (2):150-173.
Determinism and the Problem of Individual Freedom in Li Zehou’s Thought.Andrew Lambert - 2018 - In Roger T. Ames & Jinhua Jia (eds.), Li Zehou and Confucian philosophy. Honolulu: East-West Center. pp. 94-117.
Buddhist Epistemology.Kuang Lo - 1998 - Philosophy and Culture 25 (5):402-405.
Western Studies in Indian Buddhist Logic-Epistemology.Yuguang Liu - 1998 - Philosophy and Culture 25 (12):1160-1173.

Analytics

Added to PP
2014-03-01

Downloads
35 (#519,661)

6 months
11 (#535,251)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Sandra A. Wawrytko
San Diego State University

Citations of this work

The humanist ethics of Li Zehou.Zehou Li - 2023 - Albany: State University of New York Press. Edited by Robert A. Carleo.

Add more citations

References found in this work

No references found.

Add more references