The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet

Religions 10 (1) (2019)
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I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance. I propose that the notoriously divisive ending of Ordet reflects an aim to provide the film's viewers with an experience of this very sort. l draw throughout on some central ideas in Kierkegaard’s work, especially his category of ‘the moment’.



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Daniel Watts
University of Essex

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References found in this work

The unreality of time.John Ellis McTaggart - 1908 - Mind 17 (68):457-474.
Being and Time.Ronald W. Hepburn - 1964 - Philosophical Quarterly 14 (56):276.
Concluding unscientific postscript to Philosophical fragments.Søren Kierkegaard - 1992 - Princeton, N.J.: Princeton University Press. Edited by Howard Vincent Hong, Edna Hatlestad Hong & Søren Kierkegaard.

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