Abstract

Julian of Norwich's Revelation of Love is an exploratory account of supernatural events she experienced in May 1373, when she was thirty years old. Lying ill in bed, apparently near death, she suddenly began to see, reflected in a crucifix being held before her face, a series of details from Christ's Passion: his blood, flowing down from under the crown of thorns ; his body, buffeted by unseen agencies ; the drying of his facial skin as he hung on the cross ; and the “chawngynge of his chere” as, at the moment of death, he returned to joyous life. These “bodylye syght[s]” were gradually succeeded by other, less easily identifiable “gastelye syght[s],” and laconic “worde[s] formede in [her] vndyrstandynge” , spoken by Christ in explanation of elements of the vision, as this moved away from the Passion narrative into deeper theological waters, ending with a “gastelye syght” of Jesus sitting, God and human, in the city of Julian's soul . After first being doubtful of the validity of this experience, which was of great complexity and lasted for many hours , Julian came to view it as a single and theologically integrated revelation sent by God not only to her but to all Christians