Abstract

A defence of the view that the introduction of transendental idealism, in the Dialectic of Aesthetic Judgment, plays a central role in resolving the antinomy which, as Kant contends, exists in our pure judgments of taste. It is further argued that the link that he holds to exist between the realms of nature and morality (or freedom) can only be successfully made out if transcendental idealism is accepted as underpinning our judgments concerning the beauties of nature