Contentious Source: Master Song, the Patriarch’s Voice

Journal of Confucian Philosophy and Culture 1 (36):83-116 (2021)
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Abstract

This paper introduces Song Siyeol, known as Master Song (Songja 宋子), who had a great influence on Korean philosophy and politics in late Joseon (18-19th century). Among his Great Compendium, there are substantial body of writings and comments related to women. As his views directly and indirectly contributed to shaping orthodox Korean Neo- Confucian views regarding women, his writings are an invaluable resource for understanding women and gender in the late Joseon period. This paper presents his views on women, focusing on issues related to rituals. By highlighting and analyzing the issues discussed regarding the role of women in four traditional family rituals, I delineate ways in which Song Siyeol positioned women in his ritualist metaphysics and use this analysis to examine his philosophical approach, which reflects his views on, and understanding of, women, gender, and associated philosophical concepts, while making meaningful and practical discoveries that can be embraced and implemented by women and people today.

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Hwa Yeong Wang
Emory University

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