Abstract

Acknowledging sensuous worlds, which bestow sensual qualities on life-world, we are facing the age-old problem of how to think the intra- and intermodal unity of the senses and how to explain the corresponding phenomenon of synaesthesia. In tackling this problem, we will first pay our attention to the rhythmical quality of the senses. It is situated on the very threshold of the formation of the senses. The question about the natural or artificial nature of sensory rhythms begs a further question whether, at any given moment, the senses can be perfectly coherent and in tune with what affects them. Is it not true that any eurhythmics is even at its best supposed to account for the Other disturbing the rhythm by stepping out of the line?