Oxford University Press (2008)
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| Abstract |
The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion.
New postscripts have been added to several of the reprinted essays.
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| Keywords | Aesthetics Art Philosophy Photography Philosophy |
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| Call number | BH39.W328 2008 |
| ISBN(s) | 9780195177947 9780195177954 0195177959 0195177940 |
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Depiction, Pictorial Experience, and Vision Science.Robert Briscoe - 2016 - Philosophical Topics 44 (2):43-81.
Gombrich and the Duck-Rabbit.Robert Eamon Briscoe - 2018 - In Michael Beaney (ed.), Aspect Perception After Wittgenstein: Seeing-as and Novelty. Routledge. pp. 49-88.
Belief-Like Imagining and Correctness.Alon Chasid - 2021 - American Philosophical Quarterly 58 (2):147-160.
Imagining in Response to Fiction: Unpacking the Infrastructure.Alon Chasid - 2019 - Philosophical Explorations 23 (1):31-48.
Morality and Aesthetics of Food.Shen-yi Liao & Aaron Meskin - 2018 - In Anne Barnhill, Mark Budolfson & Tyler Doggett (eds.), The Oxford Handbook on Food Ethics. Oxford University Press. pp. 658-679.
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How Marvelous! Toward a Theory of Aesthetic Value.Kendall L. Walton - 1993 - Journal of Aesthetics and Art Criticism 51 (3):499-510.
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The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media.Walter Benjamin - 1987 - Belknap Press of Harvard University Press.
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