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| Abstract |
This essay is part of a doctoral dissertation presented to the Department of Philosophy, University of São Paulo, in 1993, named 'Genealogy of the Real' . Its core idea is a Nietzschean approach to a masterpiece among philosophical inspired movies, namely, Akira Kurosawa's Rashomon, which surely touches deep groundings of the concept of truth and reality.
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| Keywords | Reality Concept Nihilism Friedrich Nietzsche Akira Kurosawa Death and Truth Philosophical Cinema Passion and Truth Nothingness and Being Heraclitus and Parmenides |
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