'Melancholia' a 2011 cinema masterpiece by Lars von Trier seen through the Philosophies of Schopenhauer and Nietzsche

Abstract

Why did human beings throughout the millennia so often think about a doomsday? Could there be a profit to our inner pleasure and pain equilibrium, when believing that doomsday is nearing, an idea suggested by Sigmund Freud? An analogous instinctive dynamics was thought by Nietzsche who wrote that human beings do prefer to want the nothingness rather than not to want anything at all. In this essay, 'Melancholia', a movie by Lars von Trier, is taken as an exquisite masterpiece, a grandiose exposition of Schopenhauer and Nietzsche Philosophies..

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

  • Only published works are available at libraries.

Similar books and articles

Signifying Grace: a reading of Lars Von Trier’s Dogville.David Denny - 2007 - International Journal of Žižek Studies 1 (3).
Anatomy of melancholia.Robert Sinnerbrink - 2014 - Angelaki 19 (4):111-126.
Freud and Schopenhauer.Richard Bilsker - 1997 - Idealistic Studies 27 (1-2):79-90.
Schopenhauer: a very short introduction.Christopher Janaway - 2002 - New York: Oxford University Press.
Freud's Burden of Debt to Nietzsche and Schopenhauer.Eva Cybulska - 2015 - Indo-Pacific Journal of Phenomenology 15 (2):1-15.
The Cambridge Companion to Schopenhauer.Christopher Janaway (ed.) - 1999 - New York: Cambridge University Press.
The Cinematic Bergson: From Virtual Image to Actual Gesture.John Ó Maoilearca - 2016 - Journal of French and Francophone Philosophy 24 (2):203-220.

Analytics

Added to PP
2020-01-10

Downloads
320 (#60,973)

6 months
90 (#46,629)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Marcos Wagner Da Cunha
University of São Paulo (PhD)

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references