Abstract

Kant’s philosophy treated endings as necessary but necessarily elusive for the moral and political imagination, and he employed irony, among other things, to draw attention to the risks of perverting the figure of the end. Kantian endings, this essay suggests, give rise to two possible orientations which exist in tension with each other: melancholic confrontations with impossibility alongside a more forward-looking, optimistic gaze. I examine the two features of Kantian endings and the affective orientations they inspire under the headings of succession and secession. In addition to the mathematical-logical language of Kant’s writing, however, one also has to be able to appreciate the noirish qualities of Kant’s thought, which is to say, elements of culpability and aversion with respect to figures of transcendence that posit the space within which finite experience takes shape.