Abstract

In an expansion of the fine-tuning argument, Michael Denton argues that every aspect of the universe is ideally suited for the production and maintenance of familiar and anthropomorphic forms of life. He further argues that the ideal nature of these aspects is extremely improbable unless one postulates a designer who tooled them for the express purpose of producing familiar and anthropomorphic life. I point out shortcomings in Denton’s line of argument, focusing in particular on the premise that the ideal nature of the aspects in question is improbable absent a designer