Abstract
In order to answer our question, "What is the object of the poem?" we must consider two stages of the coming to be of the poem. This is what unqualified organicists forget. The first stage discloses what is called by A. C. Bradley the "subject matter of the poem." It shows the subject matter to consist of the objects of non-aesthetic experience, with whatever structure they may inherently possess as appropriate to their natures, which the poet employs in the making of his poem. These objects can be classified by the philosopher of culture into four main categories: the cognitive, the aesthetic, the moral, and the religious. The reason for including aesthetic objects as possible stuff which makes up the subject matter of the poem is the fact that the artist sometime uses finished poems in the same way in which he uses the rest of his experience, as when a Shakespeare, a Goethe, or a Marlowe employs old poetry to make new.