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Spinoza et le signe: la genèse de l'imagination
Paris: Vrin (2005)
Abstract
L'auteur, en suivant la voie d'une généalogie du signe, repense la théorie de l'imagination qui, selon Spinoza, s'enracine dans la puissance du corps, se révélant indissociable d'une herméneutique.Links
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Citations of this work
I—Susan James: Creating Rational Understanding: Spinoza as a Social Epistemologist.Susan James - 2011 - Aristotelian Society Supplementary Volume 85 (1):181-199.
Mark, Image, Sign: A Semiotic Approach to Spinoza.Lorenzo Vinciguerra - 2012 - European Journal of Philosophy 20 (1):130-144.
Descartes on Will and Suspension of Judgment: Affectivity of the Reasons for Doubt.Jan Forsman - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: pp. 38-58.
A Spinozist Aesthetics of Affect and Its Political Implications.Christopher Davidson - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: Eötvös Loránd University Press. pp. 185-206.
Spinoza's Three Gods and the Modes of Communication.Etienne Balibar - 2012 - European Journal of Philosophy 20 (1):26-49.
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