- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Development of emotion recognition in popular music and vocal bursts
Cognition and Emotion 34 (5):906-919 (2020)
Abstract
ABSTRACTPrevious research on the development of emotion recognition in music has focused on classical, rather than popular music. Such research does not consider the impact of lyrics on judgements...My notes
Similar books and articles
Neuroscientific Evidence for Simulation and Shared Substrates in Emotion Recognition: Beyond Faces.Andrea S. Heberlein & Anthony P. Atkinson - 2009 - Emotion Review 1 (2):162-177.
Poetry as Text in Twentieth-century Vocal Music: From Stravinsky to Reich.Joseph Coroniti - 1992 - Edwin Mellen Press.
An Instructional Program for High School Vocal Music Performance Classes Based Upon Recent Theories of Aesthetic Perception and Response.John R. Hill - 1979 - [S.N.].
The Interpretation of Chaos a Critical Analysis of Meaning in European Avant-Garde Vocal Music, 1958-68.Paul Gregory Attinello - 1997
Processing emotions in sounds: cross-domain aftereffects of vocal utterances and musical sounds.Casady Bowman & Takashi Yamauchi - 2017 - Cognition and Emotion 31 (8):1610-1626.
Music cognition: a developmental perspective.Stephanie M. Stalinski & E. Glenn Schellenberg - 2012 - Topics in Cognitive Science 4 (4):485-497.
Emotion Recognition as Pattern Recognition: The Relevance of Perception.Albert Newen, Anna Welpinghus & Georg Juckel - 2015 - Mind and Language 30 (2):187-208.
Handbook of Music and Emotion: Theory, Research, Applications.Patrik N. Juslin & John Sloboda (eds.) - 2011 - Oxford University Press.
Vocal Emotion Recognition Across Disparate Cultures.Gregory Bryant & H. Clark Barrett - 2008 - Journal of Cognition and Culture 8 (1-2):135-148.
Emotion recognition in music changes across the adult life span.César F. Lima & Sao Luis Castro - 2011 - Cognition and Emotion 25 (4):585-598.
Pop/music + medien/kunst: der musikalisierte Alltag der digital culture.Werner Jauk - 2009 - Osnabrück: Electronic Publishing.
Expression and communication of emotion in music performance.Patrik Juslin & Timmers & Renee - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
Music, emotion and metaphor.Nick Zangwill - 2007 - Journal of Aesthetics and Art Criticism 65 (4):391-400.
Analytics
Added to PP
2019-12-06
Downloads
18 (#808,169)
6 months
7 (#425,192)
2019-12-06
Downloads
18 (#808,169)
6 months
7 (#425,192)
Historical graph of downloads
Citations of this work
Illness Narratives in Popular Music: An Untapped Resource for Medical Education.Andrew Childress & Monica Lou - 2023 - Journal of Medical Humanities 44 (4):533-552.
References found in this work
Children’s Interpretation of Facial Expressions: The Long Path from Valence-Based to Specific Discrete Categories.Sherri C. Widen - 2013 - Emotion Review 5 (1):72-77.
A developmental study of the affective value of tempo and mode in music.Simone Dalla Bella, Isabelle Peretz, Luc Rousseau & Nathalie Gosselin - 2001 - Cognition 80 (3):B1-B10.
Extreme Metal Music and Anger Processing.Leah Sharman & Genevieve A. Dingle - 2015 - Frontiers in Human Neuroscience 9.
Psychoacoustic cues to emotion in speech prosody and music.Eduardo Coutinho & Nicola Dibben - 2013 - Cognition and Emotion 27 (4):658-684.
Tuned In Emotion Regulation Program Using Music Listening: Effectiveness for Adolescents in Educational Settings.Genevieve A. Dingle, Joseph Hodges & Ashleigh Kunde - 2016 - Frontiers in Psychology 7.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-7c76586df8-l2pxr uwo