Abstract

Following the poetics of Gastón Bachelard, the Mexican poet Enriqueta Ochoa takes us to the intensity of the being across the metaphorical configuration of subjectivity. We are a bonfire, us humans, a wasps’ nest, according to the generating principle of the cosmic image of fire in Electra's Return. But this wasps’ nest, before appearing as despair, is a desire. I carus principle is applied in the body that burns for the illusion, for the enchantment of freedom and for the desire as manifestation of fire. In this respect, one of the most important visions in Enriqueta Ochoa’s poem is that of the wasps’ nest, metaphor of the combustion that is generated in flames. Burning is a verb close to human existence. Burning is proof of the existential suffering, of being alive. From the image of the wasps’ nest, the fire turns into the mark of desperation as sting of desire.