Educate or serve: the paradox of “professional service” and the image of the west in legitimacy battles of post-socialist advertising [Book Review]

Theory and Society 39 (2):203-243 (2010)
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Abstract

This article investigates a puzzle in the rapidly evolving profession of advertising in post-socialist Hungary: young professionals who came of age during the shift to market-driven practices want to produce advertising that is uncompromised by clients and consumers, and to educate others about western modernity. It is their older colleagues—trained during customer-hostile socialism—who emphasize that good professionals serve their clients’ needs. These unexpected generational positions show that 1) professions are more than groups expanding their jurisdiction. They are fields structured by two conflicting demands: autonomy of expertise and dependence on clients. We can explain the puzzle by noting that actors are positioning themselves on one or the other side based on their trajectory or movement in the field relative to other actors. Old and new groups vie for power in the transforming post-socialist professional field, responding to each other’s claims and vulnerabilities, exploiting the professional field’s contradictory demands on its actors. 2) The struggle is not between those who are oriented to the west and those that are not. Rather, the west is both the means and the stake of the struggle over historical continuity and professional power. Imposing a definition of the west is almost the same as imposing a definition of the profession on the field. In this historical case, “field” appears less as a stable structure based on actors’ equipment with capital, than as dynamic relations moved forward by contestation of the field’s relevant capital.

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References found in this work

We have never been modern.Bruno Latour - 1993 - Cambridge, Mass.: Harvard University Press.
The Field of Cultural Production: Essays on Art and Literature.Pierre Bourdieu & Randal Johnson - 1996 - Journal of Aesthetics and Art Criticism 54 (1):88-90.
Art Worlds.Howard S. Becker - 1982 - Journal of Aesthetics and Art Criticism 41 (2):226-226.

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