Abstract

Leibniz regarded the onomatopœia as the relic of the original and universal language: the language of Adam. He regretted the loss of that „lingua adamica”. This leads to a certain tension between the universality of a new logical language and the specificity of onomatopoeic utterances. This line can also be detected in more recent studies. It is related to the diversity of cultural contexts where performative and narrative language plays a role