Abstract

This essay explores both the appeal and the difficulties of Derrida’s “democratic Romanticism.” Derrida’s broader philosophical project seeks to make explicit the paradoxes or aporias that are embedded in practical experience. In unveiling these aporias, Derrida pleads, particularly in his later writings, for a transformation of democracy and religion so as to make them hospitable to difference. However, I will argue that Derrida’s reduction of the great variety of moral-political and religious situations to one aporetic logic runs into conceptual problems and risks undoing the moral tissue that makes hospitality possible in the first place.