La cultura del blues en la época de su reproductibilidad técnica. El caso de Junior Kimbrough y Robert Palmer

In Historia del arte y estética, nudos y tramas: XXXIX Coloquio Internacional de Historia del Arte del Instituto de Investigaciones Estéticas de la UNAM (2018)
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Abstract

En este texto se ofrece una interpretación del blues a la luz de la teoría del arte de Walter Benjamin y la teoría de la cultura de Bolívar Echeverría. El texto hace consideraciones sobre el blues, la música, la cultura y la reproducción social en general, a partir de lo cual se realiza un estudio de caso sobre la relación entre Junior Kimbrough y Robert Palmer y se sacan conclusiones respecto a la cultura del blues como fenómeno social.

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Mario Edmundo Chávez Tortolero
National Autonomous University of Mexico

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