Dialogue 51 (1):129-139 (2012)
Abstract |
ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow that music can be expressive there is no good reason to withold the ability to be genuinely expressive from wine.
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DOI | 10.1017/S0012217312000273 |
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References found in this work BETA
A Simulation Theory of Musical Expressivity.Tom Cochrane - 2010 - Australasian Journal of Philosophy 88 (2):191-207.
Artistic Expression and the Hard Case of Pure Music.Stephen Davies - 2006 - In Matthew Kieran (ed.), Contemporary debates in aesthetics and the philosophy of art. Blackwell.
Expressive Perception as Projective Imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.
The Philosophy of Art.By Davies, Stephen.Sondra Bacharach - 2007 - Journal of Aesthetics and Art Criticism 65 (2):240-242.
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