More download options

The relative importance of local and global structures in music perception

Barbara Tillmann & Emmanuel Bigand

Journal of Aesthetics and Art Criticism 62 (2):211–222 (2004) Copy BIBT_EX

Abstract

This article has no associated abstract. (fix it)

Cite

Plain text

BibTeX

Formatted text

Reference Manager

RefWorks

Options

Mark as duplicate

Find it on Scholar

Request removal from index

Revision history

Categories

Aesthetic Perception in Aesthetics

Keywords

Reprint years

DOI

10.1111/j.1540-594x.2004.00153.x

Links

PhilArchive

Upload a copy of this work Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Sign in / register and customize your OpenURL resolver
Configure custom resolver

My notes

Sign in to use this feature

Similar books and articles

Global idealism/local materialism.Koichiro Matsuno & Stanley N. Salthe - 1995 - Biology and Philosophy 10 (3):309-337.

The impossibility of local skepticism.Stephen Maitzen - 2006 - Philosophia 34 (4):453-464.

Local and Global Relativity Principles.Bradford Skow - 2008 - Philosophers' Imprint 8:1-14.

On the calculation of local implicatures.Yael Sharvit & Jon Gajewski - manuscript

Degree structures: Local and global investigations.Richard A. Shore - 2006 - Bulletin of Symbolic Logic 12 (3):369-389.

Musical perceptions.Rita Aiello & John A. Sloboda (eds.) - 1994 - New York: Oxford University Press.

The position of event-related EEG activity in the local/global theory.V. Kolev & J. Yordanova - 2000 - Behavioral and Brain Sciences 23 (3):407-407.

Topometric spaces and perturbations of metric structures.Itaï Ben Yaacov - 2008 - Logic and Analysis 1 (3-4):235-272.

The perception of music.Robert Francès - 1988 - Hillsdale, N.J.: L. Erlbaum.

Analytics

Added to PP
2009-01-28

Downloads
103 (#165,954)

6 months
7 (#411,886)

Historical graph of downloads

How can I increase my downloads?

Citations of this work

Cognitive representation of “musical fractals”: Processing hierarchy and recursion in the auditory domain.Mauricio Dias Martins, Bruno Gingras, Estela Puig-Waldmueller & W. Tecumseh Fitch - 2017 - Cognition 161 (C):31-45.

Prosodic Structure as a Parallel to Musical Structure.Christopher C. Heffner & L. Robert Slevc - 2015 - Frontiers in Psychology 6.

Aesthetics and cognitive science.Dustin Stokes - 2009 - Philosophy Compass 4 (5):715-733.

Tension Experience Induced By Nested Structures In Music.Lijun Sun, Chen Feng & Yufang Yang - 2020 - Frontiers in Human Neuroscience 14.

Auditory attention to frequency and time: an analogy to visual local–global stimuli.Timothy Justus & Alexandra List - 2005 - Cognition 98 (1):31-51.

View all 8 citations / Add more citations

References found in this work

Implicit learning and tacit knowledge.Arthur S. Reber - 1989 - Journal of Experimental Psychology: General 118 (3):219-235.

Implicit learning of artificial grammars.Arthur S. Reber - 1967 - Journal of Verbal Learning and Verbal Behavior 6:855-863.

Implicit learning and tacit knowledge.Arthur S. Reber - 1989 - Journal of Experimental Psychology 118:219-35.

Theory of serial pattern learning: Structural trees.Frank Restle - 1970 - Psychological Review 77 (6):481-495.

Searching for objects in real-world scenes.Irving Biederman, Arnold L. Glass & E. Webb Stacy - 1973 - Journal of Experimental Psychology 97 (1):22.

View all 10 references / Add more references