Abstract

Wladyslaw Strózewski's Dialektvka Tworczosci develops the thesis that art, having not only its raison d'être, has its final effect lying within the wholeness of being. Strózewski, whose roots are deep in scholastic tradition and phenomenology, as well as in Hegel, has always seen being as seated in allusion to nothingness, which as non-being is indirectly accessible to us through experiences of an essential, existential, or axiological nature.