Abstract

It would be difficult to overstate the impact of the work of Samuel R. Delany on the often-overlapping fields of science fiction (sf) studies and utopian studies. In his well-known 1982 essay, “Progress Versus Utopia, or, Can We Imagine the Future?” Fredric Jameson argues that Delany, along with Ursula Le Guin, Marge Piercy, and Joanna Russ, is among a socially engaged group of visionary authors who revivified the utopian imagination in sf during the 1960s and 1970s, and he cites Delany’s Triton (1976), Le Guin’s The Dispossessed (1974), Piercy’s Woman on the Edge of Time (1976), and Russ’s The Female Man (1975) as “the most remarkable monuments” in this rebirth of utopia.1 Following Jameson and others, Tom Moylan ..