Abstract

Is there such a thing as a Marxist literary criticism? Imre Szeman argues that, despite the fact that Marxism has long privileged literature as an object of analysis and critique, there is no unitary methodology or set of considerations that distinguish a “Marxist” approach to literature from others. Here, Szeman provides a historicization and structural analysis of what he identifies as the three primary modes of Marxist literary criticism. At the same time, this essay also points to a fourth, as yet unnamed, possibility for Marxist literary critique that seeks to sublate the assumed “impasse” created by the limiting choice between “ideological” and “anti-ideological” culture, an impasse that, according to Szeman, bears witness to a profound historical shift