Abstract

The eagle has always been recognized as one of Pindar's most potent and characteristic images. Horace borrowed it to construct the first four stanzas of his Pindaric imitation in Carm. 4.4, and he presents both himself and Pindar as soaring birds: see Carm. 4.2.25 and 2.20, where the swan outflies Daedalus and Icarus in a way that the imitators of Pindar cannot hope to do. It is standard doctrine that Pindar often describes himself as an eagle, and that Bacchylides ‘imitates’ the notion in his fifth ode, p.l).