Abstract

In On Divine Names the Christian neoplatonist Dionysius the Areopagite develops a philosophical mode in which the form of the text follows from and advances his topic. This has not been recognized mostly because modern philosophical treatises have followed primarily the expository line of the text. However, Dionysius’ topic here, how properly to name God or as he would put it more broadly, how to praise God, requires a technique of a certain indirection. In short, the reader cannot be led by argument alone to appropriate naming of the divine. Instead, the reader is led to a performative, almost liturgical philosophizing. This paper will consider in particular Dionysius’ opening chapters that serve to orient the reader to such a performative mode and to Dionysius’ modification of neoplatonic thinking on naming the divine.